Updates

So, I’ve taken a break from Science Fiction Weekly for awhile. This weekend was spent working on both Fantasy Short Stories Book Four and Alien Dimensions #19, as well as a short story that has been running around in my head for awhile. I’ll make a separate post for it soon.

Yes, finally back to writing. It feels great! But a bit difficult to keep ploughing on with it when there’re bushfires, flooding, a coronavirus, and other personal issues happening.

For those freaking out about the coronavirus, just to put things in perspective, Malaria kills half a million people every year. If we’re talking diseases generally, 10 million people die from heart attacks every year. Almost 100,000 people die from the flu just in the USA every year. With 327 million people, that’s about 0.0003%. Extrapolating that, at least 2 million people die of the flu every year on the planet. Probably a lot more than that in less healthy areas. That’s on top of all the other diseases. So, unless we start getting figures of the coronavirus killing more than 2 million people a year, it isn’t worthy of the panic and stress and racism that it seems to be creating. (Update July 2020. At 600,000 deaths worldwide, 6 months later. So, it’s overtaken malaria, and the USA’s COVID-19 death toll has exceeded its usual flu death toll. Thanks to health care professionals world wide, it could have been a lot worse. Having said that, this has now been confirmed to be a bit stronger than your average flu, targeting anyone with poor health, smoking or vaping, or living in a highly polluted area. Still, you’re more likely to die in a car crash. The average is 1.35 million deaths a year.)

We just need to be alert, not alarmed.

For those of us who’ve heard this all before, this is just another SARS / Bird Flu / Swine Flu / media advertising revenue generator. Exercise, eat healthily (Mediterranean diet?), stay positive, and if you get it and you don’t have any other underlying health conditions, (and you’re in a first world country with access to a good health system if you do), it’ll just be another flu for you.

Of course, if you get any kind of symptoms that could be related to the coronavirus you should get medical advice from a trained professional! Don’t trust the ramblings of a depressed science fiction writer!

I’m getting out of my slump thanks to Doctor Who, Avenue 5 and Star Trek: Picard. How wonderful that 2020 is going to be the golden year for science fiction streaming. Loved the spy eps, Tesla ep, and the black Doctor ep of Doctor Who, the satire of Avenue 5, and the heartbreaking nostalgia of Star Trek: Picard. Definitely looking forward to all the shows coming out this year. (July update. Wow. So much for that idea. Many shows and movies have been delayed.)

Not sure if everyone is going to get Avenue 5’s humour though. One of my favourite scenes:

Mia: “What are you so happy about?”
Matt: “I’m a nihilist”
Mia: “No you’re not.”
Matt: “Whatever!”
Mia: “Oh my God.”

Improves with repeated viewing.

In any case, there’s been some great writing in these series and I can see some Hugo nominations happening in early 2021, if everyone remembers!

In other news, I’ve come to the painful conclusion that I’ll have to delay writing the Robots of Atlantis for a while. I might have time to do a bit more of it in May with the plan to finish it by October. We’ll see.

Update July 2020 – Due to the COVID-19 situation having got a lot worse than most were expecting in January, and my city being under lockdown for months, I haven’t had any chance to focus on the book, what with worrying about where my income is going to come from, and being in a one bedroom apartment with my family 24/7. Lucky we’re introverts, but not being able to go to a cafe and have a couple of hours every day in silence to write has meant there’s been no progress on the Robots of Atlantis since February.

I’m really sorry to let everyone down about this. I’ll just have to delay it until 2021.

I hope you’re all safe and well, and hope the rest of the year will be better for you.

Current SF First Episode Rant

Current SF First Episode Rant

Can we have some ‘REAL’ SF please?

Alright, who’s decided they’re going to destroy live action SF?

Of course, I understand that science fiction is really something for subscribers, or government sponsored free to air TV. It certainly doesn’t lend itself to advertising too easily. Though, if marketers really were on the ball, every SF episode would be advertising the latest technology, mobile phones, apps and more. If we’re into tech we’re into SF and visa versa. VR googles and bendable mobiles would be the ideal thing to advertise.

But, what’s with the ‘accessible scene followed by plot twist’ to get those who are not so interested in SF to be interested? I think this is an old trope from the 60s, and has no place in today’s SF. Consider the 60s mentality of almost a decade getting ready for the moon landing and seeing the rocket launch.

Guys, SF fans are over that. We don’t need the lead up.

Disappointed

Anyway. Why this rant? Friends repeatedly recommended me to watch Stranger Things. First ep starts with a Dungeons and Dragons game in the 80s. Following scenes are set in the 80s, with a school. Limited budget?

Friends said I should check out Philip K Dick’s Electric Dreams. Although the trailer looked a bit hodgepodge, I thought, you know, give it a go.

Started with a contemporary scene. What?

Episode 2 was better but if it is over 700 years in the future, why are they using LCD screens, and why does one of the main characters have a double row of mail pigeon holes above his desk?

Read reviews of Black Mirror. Thought, yeah, alright. Flicked through all episodes. Most were contemporary. The first episode starts with the Prime Minister sleeping in bed. <Raises eyes heavenward>

If it is on free to air TV, and the goal of the channel is to attract a new audience to sell advertising too, fair enough. I understand these have to exist and create revenue somehow. But, for something to be billed as science fiction, then made available via Netflix, Amazon video, or other pay per view portal, I would expect to pay for something, well, science fictiony!

So, I thought, well, I really should check out episode 3 of Lost in Space. Two bottles of wine got me through the first two, so surely the third will start out not so saccharin, now that the crazy Doctor Smith bitch is in residence. (Very excited. Parker Posey is going to bring some awesome scenes to that show.) But guess what?! It started with a scene in a house on Earth over food and wine. Looks like that bottle of Muscat I started drinking is going to need a sister.

Now, I’m not saying LiS was bad. It continued with a nice twist, and I love the fact that there wasn’t an explanation as to what she did next, leaving it to us simple viewers to work it out, but, still, why the ‘reality’ scene at the beginning? And why is this so common now? It’s not just the USA and the UK doing it. It’s every country that produces SF. Did someone write a manual? No, it was a dot to dot book, wasn’t it?!

Modern SF Episodes

Step 1. Write an accessible scene for those stuck on the lounge who didn’t bother to hit the remote. Let them think it’s a basic soapy story with a mystery. Make the scene as realistic and contemporary as possible, but slightly mysterious and interesting, so that they don’t think to change to something else.

Step 2. Add an interesting twist that isn’t too confronting that gets them to think that, woah, wait, WTF is going on.? Okay, I’ll watch a bit longer.

Step 3. Slowly introduce the SF element bit by bit, but always have flashbacks to reality on Earth, just so they doesn’t feel left out.

Step 4. Make the scene end on a poignant, cliffhanger note related to Earth life so that they sit in their lounge thinking about it long enough to play a tech or relationship ad.

Step 5. The next scene after the ad should also help ease them back into the series without being too confrontational or too otherworldly.

Step 6. Leave enough mystery so that they decide to watch the next one.

Tired

Was very happy when both The Discovery and The Orville started as I was sure that the writers knew how to write real science fiction. Then it turned out Discovery was about love and loyalty, and The Orville was about divorce.

Sigh.

Ok. Rant over. Overall, I love both Star Trek: Discovery and The Orville. I want more of that (just, no boxing episodes, thanks). Please powers that be, please consider some SF scripts that don’t bother with the contemporary stuff.

Why not look into what producers did in the 50s? Contacted soap producers and got their advice on how to make a show where they could sell washing soap. Or the 70s – got advice on how to create a show that would sell action figures.

Or the 90s. Created shows that would sell music.

Why not contact SF writers, producers, directors etc and ask them what they could do to create a compelling show that would increase the sale of high tech stuff.? There’s so much possible advertising revenue just begging to be matched with SF.

Mobile Phones

VR glasses

Computers

Fitwear

Relationships

Bitcoin

A.I. Investments

Robot merchandise

Alexa and Google Home assistants

Drones

The list is endless

And you wouldn’t need to start with a contemporary scene. You could start with a futuristic one using ‘ancient’ contemporary gear.

Looking forward to a new series on Netflix or Amazon video that starts immediately with a science fiction scene that only science fiction lovers will understand.

Exploding binary stars followed by non-humanoid aliens surviving and looking for help? Anyone?

Or, aliens and humans working together to solve a problem in another galaxy in the far future?

I live in hope.

At least Doctor Who didn’t bother with the whole contemporary start to…

What? Russell T. D? Why did you have Rose working in a clothing store? Steven M? Why did Bill turn up at a contemporary uni? Chris Chibnall? Is the Doctor really going to crash land in 2018 London and meet a family?

Wait. The first episode in 1963 started in a school?

OMG!

Back to reading books.

😛