Science Fiction Anthology Series Alien Dimensions Issue #13 is due to be retired

Science Fiction Anthology Series Alien Dimensions Issue #13 is due to be retired


Digital | Print

In October 2016 the first issue of Alien Dimensions was released. October was chosen with the idea that, if the series kept going monthly, then in October 2017 issue #13 could be released to have the number 13 associated with Halloween. Also, it was expected that the actor to play the 13th Doctor would be announced by that time, and some stories for the issue were commissioned months in advance. In that sense, Alien Dimensions Issue #13 took a year of planning!

When Jodie Whittaker was announced to be the first female Doctor in July 2017, commissioned and submitting writers were encouraged to write either strong female leads playing doctor-esque characters, or a story with a Halloween theme or both. So, Issue #13 has a bit of both! (It was also the First Anniversary issue, so a bit longer than usual.)

Issue #13 will be removed from sale within a few days, so if you haven’t had a chance to get it, here are the details and the links:

Inside issue #13
Aura Who by Aric Merchant
One to the Left by Isaac Teile
Charger Nine by K. L. Hallam
One Chance by Sam Honour
Under the Surface by Alison McBain
Rejuvenation by Neil A. Hogan
Promises Kept by Patrick S. Baker
Sacrifice by Nicky Martin
The Ghost Haunter by Martin Roy Hill

Available in Digital and in Print formats

Speaking of Anniversaries

If you haven’t already, please check out Alien Dimensions Issue #16. Our 2nd anniversary issue. Find out more here: Digital | Print
Also available from Kindle Unlimited

Many thanks for reading.

Neil A. Hogan

Still in Beta. Science Fiction Weekly Short Story #17: Short Reads Series

Still in Beta. Science Fiction Weekly Short Story #17: Short Reads Series

Available in digital format and via Kindle Unlimited

While experimenting on himself to raise his brain waves frequencies to see the areas of reality that a normal human cannot perceive, a scientist discovers something completely unexpected.

Something that could affect the entire human race now and forever.

‘Still in Beta’ is #17 in the Science Fiction Weekly Short Reads Series. A short science fiction story of about 5500 words

Oh My God. It’s Full of Stars. By Neil A. Hogan. Science Fiction Weekly Short Story #16

Oh My God. It’s Full of Stars. By Neil A. Hogan. Science Fiction Weekly Short Story #16

Available from Amazon: Oh My God. It’s Full of Stars.

When Captain Dhead’s ship appears near a black hole binary system, his alien first officer Khyrks eagerly tells him that there is treasure in a tear in space-time, right in the center.

Slightly uneasy at being in such a dangerous part of space, Dhead sends a drone into the tear to investigate.

And finds something incredible.

‘Oh My God. It’s Full of Stars’ is #16 in the Science Fiction Weekly Series. A short reads story of about 4200 words.

When is the best time to write science fiction?

When is the best time to write science fiction?

100,000 words a month is your minimum goal

I thought for many newbies out there that this question might be something to consider. If you’re not yet at the stage of writing 100,000 words a month (that you can use, not including discarded words) then you might still be struggling with just being able to write, let alone when.

Professional authors who make a living from ‘pages-read’ on Amazon would have to meet at least that target every month to pay the bills. Then again, if you work in any administrative capacity, that would be how many words you would write in emails and documents every month as a matter of course. Why not do it full time writing on something you love?

So, assuming that your goal is to eventually get to 100,000 publishable words a month, when is your most productive time of the day?

Circadian Rhythm

Now we get into some interesting aspects of the circadian rhythm. Not just on your energy levels, but the chemicals in your system and your state of mind, also.

It was recently proven that human beings generally have an emotional rhythm too. We’re a lot more analytical, focused and reasoning in the morning, and a lot more emotional, unfocused and unreasoning in the evening. That means that there are at least two sides to every human being on the planet! [Study of 800 million tweets finds daily cycles of thought]

Emotional in the evening, emotionless in the morning. It probably explains some one-night-stands leaving before their hookup wakes up!

And so, if we have two noticeably different states of being day to day, how will this affect our writing, and when is the best time to write what we want to write?

Morning for…

If you need to do some major editing, cutting out paragraphs, soul searching about bits you love but aren’t suitable and bits you hate that need more work, then the morning is the best time for your analysis. I would say 6am to 10am could be your peak writing period, depending on your other responsibilities.

If you’re able to write focused, with minimum breaks, delaying breakfast, then your most productive time (productivity as measured by an editor) would be that four-hour period in the early morning.

For me, it’s not. My most productive period is between 2am and 6am, but these aren’t times suitable for the average person.

Now, just think. If your goal is 100,000 words per month, and you write at 60 words a minute, that’s 3600 words per hour, 14400 words per 4 hours, 100,800 per week! After you’ve spent researching, rereading, reediting and the like, you could easily do 100,000 publishable words a month.

How exciting!

But boring!

But, would anyone read it? If the morning is your best time to be analytical, is your fiction going to end up being something staid, boring, repetitive, and featuring dull characters traveling somewhere and having basic adventures before reaching their reward?

Sadly, yes!

Evening for…

Which means you need to mix it up a bit. Your more emotional side comes out more in the evening, so you may wish to plan for using that time to write your emotional scenes. You know, the ones where you’re literally crying as you write each characters’ heart wrenching discovery/situation. You can write the emotional dialogue, the terrible conflict, the harrowing ordeals in the evening where you can use your own inner turmoil to add life to your characters.

Interestingly, social media is awash with heavy emotion in just about everything. Why? Because everyone is spending time on social media during their emotional times. If we restricted social media to the times human beings were less emotional and more analytical, we’d get a lot more civil and well-thought out responses on these platforms.

Imagine the world if every aspect of our lives took into account our emotional states at certain times? Issues that needed serious analysis of the facts and limited emotional influence would only ever be discussed in the early morning. No more emotional conflicts ever!

But I digress.

Write at different times

And so, now you know. Write your emotional scenes at night and your analytical scenes in the morning. Do all your planning and editing in the morning, and fill in the gaps at night.

You’ll soon be churning out, I mean, creating compelling fiction every month to keep that money rolling in.

To your writing.

[Edit: I’ve recently read blog posts by other authors who say they aim for a minimum of 10,000 words a day. So, your ultimate goal to making a reasonable go at it as a professional author is approximately 280,000 words a month.]

Alien UFO Disclosure: Science Fiction Weekly Short Story #15: Short Reads Series

Alien UFO Disclosure: Science Fiction Weekly Short Story #15: Short Reads Series

Available in Digital Format

When Kamryn Jones’ houseboat is destroyed by a black drone, she is contacted by a mysterious woman who sends her across the country to locate evidence of a UFO. Determined to uncover the truth, she follows the trail.

But what she finds is a lot more disturbing that she would ever have expected.

And how is the President of Australia involved in all this?

Alien UFO Disclosure is #15 in the Science Fiction Weekly Series. A short story of approximately 7700 words.

The Hydrofluorons of Krakon 7

The Hydrofluorons of Krakon 7

Available in Digital Format from Amazon

When a wormhole to another dimension opens up for Dravo, he is surprised to find highly advanced aliens on the other side eager for tourism.

But just being in the same room as them could kill a human being within an hour.

Can Dravo convince the Space Council that trade is still possible?

Find out more in The Hydrofluorons of Krakon 7. #14 in the Science Fiction Weekly series. A short story of about 5200 words.

Science Fiction Weekly is Back!

Science Fiction Weekly is Back!

Yes, great news! A new series of Science Fiction weekly has begun. I’ve created some new stories, and rewritten some recent stories to be released on a weekly basis from this week!

Stories 1-13 were released last year, and I’ll release stories 14-26 this year.

The first story in the new series is out – #14 The Hydrofluorons of Krakon 7, with #15 Alien UFO Disclosure to follow next Tuesday.

I’ll post each time a new one becomes available.

Many thanks for reading!

Portmantoetry by Neil A. Hogan

Portmantoetry

By Neil A. Hogan

 

Where are you hiding, oh portmanteau?

For my blog, listicle, and webcast,

From a digerati slacktivist,

A metrosexual netizen,

A bionic flexitarian,

Frustratedly searching high and low.

 

Where are you now, oh portmanteau?

With writer’s block my frenemy,

My brunch stomach aches hangry,

The spam arrives, I quickly spork,

Irregardless of others’ talk,

Dreading that you will never show.

 

Give up on yo’, portmanteau?

Part with scripts for the romcom?

Throw away notes for the sitcom?

No! Perhaps in a podcast?

Or maybe a simulcast?

Aha. I have been too slow!

 

Your secret is out, portmanteau!

Found by just a solopreneur,

Researching hazmats for a stir,

Checking email for a mcjob,

Reviewing mopeds through a smog.

It dawned on me, why you are so.

 

No need to search for, oh portmanteau

Not in cosplay, nor edutainment

Nor a bodacious mansplained dissent

Not in chillax bromance dramedies

Nor in mobisodes by oxbridgies

I am to create yo’. Now I know.

High School Laziness

High School Laziness

When I was in high school in the 80s, I was studious, hardworking and focused. Until I learnt about the rat race that we’re all expected to take part in, whether we want to or not. and then I lost interest in my studies. It was probably around year 10, though I stayed til the end of year 12, because you had even less of a chance of getting a job if you left.

The 80s was a time in my area where it was looked down upon if you thought about getting a degree. Certainly I had to keep these thoughts to myself. It was expected that if you go to a good government school, unless you were of the one percent of nerds at the top of the class, then you would end up doing a trade or office work.

I decided retail was going to be my thing, and so I left in year 12 and went to work in a Legal bookshop. A great experience and I highly value that time for helping to reformat my thinking. When we’re young we’re blinkered, unable to see outside our tiny universe. The job expanded me and made me realize that I’d probably shouldn’t have wasted a lot of my time in years 11 and 12.

Goals

One of my goals had been to be a writer, yet my English lessons in my high school had disappointed me, and I just stopped pursuing that dream for awhile. I believe the curriculum is drastically different now, and students today are exploring areas that my generation could only dream about. But one thing that could not be explained to me was why a lot of old writing was lauded, praised or used as the ideal example when there were obvious mistakes. (Not mistakes of incorrect verbage, spelling errors, or grammar, but simply not following expected set patterns.)

Why didn’t we explore the errors? Why did we just focus on the symbolism? Why pages on the meanings behind words and treating sentences as art, when there were obvious structural deficiencies?

It was a feeling of annoyance that I carried with me through years 9 and 10 in English class, as I fully believed that these old masters of English writing should have been perfect. Of course, I was being analytical and feeling that English should be guided by mathematical formula or have some underlying web or network where the jigsaw pieces of words could be slotted to create the final form.

I later realized I was completely wrong about that, that creativity can come in many forms, without needing to follow some set structure laid down 200 years ago.

Even literary masters aren’t perfect

As my interest in writing increased during subsequent decades I soon noticed that no author was perfect, and that many literary experts recognize the errors but have long since stopped talking about them. You could actually write a 200,000 word novel and it could become a runaway success making you millions of dollars and optioned for a movie, even if it was full of grammar mistakes, style breaks, and endless repetition.

My fear of rejection from not writing perfectly immediately prevented me from writing anything at all. Of course, these literary heroes were human. Of course they made mistakes. Of course their work wasn’t perfect. How stupid was I!

So, in 2006 I got back into writing, without worrying too much how many mistakes I mad. Though, looking back on some of the stuff I wrote 12 years ago makes my eyes bleed.

Just thought I’d throw this out there to any young writers who are struggling to put pen to paper. Have a closer look at some old works from over 100 years ago and make a list of the mistakes you find. You’ll be surprised, and it may encourage you to not worry too much about your own mistakes.

Happy writing!

RMIT Open Day

RMIT Open Day

Recently, I had the pleasure of exploring Melbourne’s RMIT university.

My intention is to upgrade my skills and get a degree in a new field. And while my body says I’m in my late 40s, my mind is still in my 20s, so a university degree shouldn’t be a problem for me to do.

The big problem is deciding which one!

International Business?

Entrepreneurship?

Creative Writing?

Of course, the one I’d had in mind to do one day was Astrobiology, but this course is not offered at RMIT, and I don’t have the brain for mathematics and chemistry anyway.

So, I went along to some introductory lectures to see what would appeal.

I’d studied marketing thirty years ago, so I thought I’d catch a marketing presentation, while trying to remember why I didn’t pursue it. Then the lecturer added, ‘And there’ll be lots of maths. Excel is your friend.’ And then I remembered why!

So, I waited for the international business presentation, which was informative and helpful. I’d originally thought that an international business degree would be the best thing for me to have for my next 50 years of work (no plans to retire) but after learning more about it, realized it wasn’t really for me. The design of the course is to help you to gain the skills to work for someone else. I’m more interested in working for myself. Or, at the very least, in a fairly autonomous position with a reasonable amount of creative control.

I sat in on the entrepreneurship lecture but decided it wasn’t really what I was looking for either.

I then went along to the session entitled Application tips for non-year 12 students. The room was packed with ages 20 to 70, and the corridors outside were full. For fire safety reasons they couldn’t let anyone else in, and had to clear the corridor. It looked like many people my age had come to the same conclusion – time to get a degree. I found it helpful and planned to get online to apply as soon as I went home.

But the crème de la crème was the Creative Writing and Screen Writing presentation. The hair rose on the back of my neck as I sat there in the back row listening attentively, realizing that this was what I had been looking for the whole time. And, then I sat up straight when I heard that Sarah Dollard, who wrote for Doctor Who (Face the Raven and Thin Ice), had done a writing degree at RMIT. Just in case the universe thought I needed any extra encouragement, LOL.

So, as of today, I put my initial application through VTAC, and am now working on the requested folio.

It looks like I won’t be online much over the next few days!

Many thanks RMIT.