Writing Memes

Writing Memes

Something To Do When You’re Stuck

When I’m stuck somewhere waiting, like in a queue, for a lift, or even at a walk sign, I might fill in those wasted seconds by checking out some memes on ImgFlip

There are a number of memes sites out there, and each caters for a particular crowd or has features that appeal to certain groups. I’ve tried a few, but Imgflip seems to be closer to the site I’d prefer to hang out at.

One of the features I love at this site is their template library, as well as the ease of creating a meme and posting it within a minute. If I’m sitting waiting for my tram to get to a destination, and have a thought that I want to share, I can call up a template, type a few words, and have it posted within a minute, all from a mobile, tablet or netbook.

Online Research

With one of my previous books, I had to research some medical statistics to make sure that the death I had planned for a character would be logical – bumps on the head not causing concussion notwithstanding. This would lead me, as random links generally do, into the warren of associated links and diseases and murders and…

After immersing myself in general mayhem and destruction until I found the information I wanted, and realising it wouldn’t work, I suddenly became aware of my internet history. If someone was to stumble onto all those pages of invasive medical procedures, what would they think?!

And so, I grabbed this template off imgflip and created this meme:

Great Minds Think Alike

When I was writing my novel last year, I was also excitedly waiting for both Star Trek: Discovery and The Orville. I made sure to finish my book before they were screened, so that anything I wrote wouldn’t be influenced by them. (There was no way I could avoid spoilers!)

My mystery story Alien Frequency, set against a binary star system in a ship that could materialize anywhere in the galaxy, I was sure would be fairly original. I also thought having a crew of slightly amusing aliens would bring humour back to an overly serious genre. There was even written an introductory scene featuring Captain Hogart introducing his crew one by one and making jokes. Pretty sure that hadn’t been done either. I was hopeful people would love my character Amy who was a greenish blob most of the time, but liked to slide around in a feminine form. (She is a reimagined version of my Alien Bob character who worked as a plant engineer on the intergalactic starship The Celestial Breeze in my ‘Alien Characters‘ series.)

You have no idea how surprised I was to find Star Trek: Discovery’s first episode was set in a binary star system. I was further surprised to find that the ship could rematerialise anywhere in the galaxy. In The Orville, I knew it was going to be fairly amusing too, a bit like Red Dwarf, but I was surprised to find that the first episode of The Orville featured the captain introducing his crew one by one. Not to mention a blobby alien character very similar to my characters Alien Bob / Amy.

I later found there were a lot of other similarities between both shows, my book and even some of my previous stories, as well as some I had working drafts for that I hadn’t released yet.

I couldn’t believe it.

There must be a collective consciousness of SF wants somewhere, and I must have tapped into it along with these writers. In any case, after lifting my head from my hands, I created this meme:

Getting Back Into the Right Headspace

I took a few months off from writing after that and focused on other things. I was so disappointed by the situation.

After finally breaking through this selfish reflective period, I got started on my next novel.

The Andromeda Effect was going to be bold, with most of it set in another galaxy, 2.5 million years ago. It was going to have time line problems, multiple characters and motives, and be light on description and rich in dialogue. I wanted it to be daring, original, and fun to write.

I set to work first with some introductory paragraphs on my set piece Space Station X-1a, orbiting Saturn.

Ingredients Needed

But starting off with a meeting was boring, so I decided to add some danger. Keep people reading but not have the pages more exciting than what was to come? What could be dangerous but not deadly? Cause enough problems for the station without actually destroying it. Space weather? What could that be?

I know. I’ll use gravity waves. No one’s done that. Let’s have an exciting first few pages with gravity waves striking the station, and all the humans and aliens running about trying to save it and themselves. How exciting!

What?

4 months after writing that (you can see the draft I put online here – Excerpt from The Andromeda Effect) I stumbled across a second hand copy of Peter F. Hamilton’s The Temporal Void. Of course, as it had the word ‘temporal’ in the title, it caught my eye, and I sat down to read the first couple of pages.

Wait! What? What’s this? A station being hit by gravity waves in the first few pages? Humans and aliens running about?

Noooooooo!

I wonder how many other books have gravity waves striking space stations at the beginning of them.

Peter’s book is now sitting on my book pile waiting until I finish writing my novel. (It was just a $1. I couldn’t pass it up, even though I haven’t read vol 1 yet. Thank you Red Cross.)

Not Stopping Again

This time, I’m going to soldier on. If I stop writing because someone else has done something similar, I’ll never write!

But, I’ll probably need some fortification to keep me going. And so, I grabbed another imgflip template and created this meme:

Now, all I need to do is scrape together enough for another $3 bottle of wine to continue!

The Stellar Flash Center

The Stellar Flash Center

One of the things that has taken quite a lot of time, is setting up the ‘bridge’ of the Stellar Flash.

As many of the scenes would take place there, I wanted it to be engaging, interesting, have a number of different features and, if created into a live action video, give many people a lot to talk about.

The problem I had was that all the words to describe the white conscious connection computer panel stands were old.

Podium, lecturn, rostrum, dais. They all sounded stuffy, bureaucratic, or churchy.  Not words that really fit a futuristic space / time vessel.

After much searching, I found that there are indeed podiums that look like the computer stands in the Stellar Flash Center. Here’s one of them:

I’d say this could be used in a pilot, before we upgraded to something like this one:

(I got these images from Presentashop.com after discovering them on Pinterest. Check them out. NB: The site is in German.)

It doesn’t solve my problem with what to call them. I might just keep going with ‘white interface panel’

So, as there are a few scenes with a lot of characters gathered in the Center, I thought it best to play around with the design a bit and make sure everyone can really fit there.

Here’s a rough floor plan.

The panels are a bit too big for this picture, but you get the general idea.

Now, to somehow fit in an army of dinosauroids, a Floran, the Japanese A.I. avatar, and Admiral Heartness…

 

Latest Updates from the Keyboard

Latest Updates from the Keyboard

Well, today has been a productive day. Woke up, heated some chilled takeaway for breakfast, made some black Moccona Hazelnut Coffee, and rewrote and deleted swathes of The Andromeda Effect. Filled in some plot holes, fixed some dialogue, added some thoughts, and made sure a new character had a motive for her actions. (Well, actually, multiple motives, but we’ll see.)

10 minute lunch was some more cheap takeaway that I’d bought as a job lot the night before, and then it was back to writing again.

Then a couple of glasses of Aldi Shiraz, the pleasant alcohol effects extending the length of time I can remain seated, and several more pages poured from my fingers.

7 hours of writing. I don’t think my back will be the same tomorrow!

The sad thing is, I’d love to be able to just write and write and write, and come up with some fantastic chapters straight from brain to board, but what usually happens is I’ll get a 1000 words in and go ‘this aint workin’ and delete it all and start again.

So, I thought, why delete it all? Why not put some of my thoughts out there. At least it won’t be wasted. I think I’ve written 150,000 words so far of this 50,000 word novella, and some of that could have been used, if the story had taken a different path.

Here are a few outtakes. Perhaps I’ll use some lines later. Not sure yet.

Alternate Prologue (too slow)

Admiral Victoria Heartness peered through her office window at the slowly turning rings of Saturn, and sighed. Six more were to die on the next mission, and there was nothing she could do about it. Her stomach was churning, just thinking about it.

Her poor night sleep, and repeated dreams of mind controlling aliens, had not helped her disposition either. She shook herself and took a deep breath. Focus.

There was a faint knock behind her and the door opened, quietly. A dark figure appeared in the reflection, not as lit as she was by the glow of the planet. “There’s been an incident,” he said.

Victoria indicated with her left hand, and the figure disappeared to take a seat.

For a moment longer, she drank in the colors of the gas giant, a massive planet that was there long before the human race had evolved, and would probably be there long after they had become extinct. Then she turned and faced the scientist, and secret services agent, Doctor John Patel, to discover what insignificant human disaster had befallen her space station this time.

Alternate Dinosauroid Family revelation (too much exposition)

“Brother,” began the lead dinosauroid scientist. “I have found the hole in space time that allowed our ship through. The blue star that the plant orbits will explode in the future, turning into an actual one. A black hole. This transformation breaks the gravity cage.”

“Impossible. It’s not a black hole yet!”

“We have long suspected that black holes exist with their own set of rules regarding time. It’s possible we are receiving its influence from the future.”

“Understood. When is it likely to happen in our timeline?”

“It could be hundreds of years, but according to my computer’s calculations, it requires a unique set of circumstances to set it off. A massive disruption to the gravity field will change the normal turbulence of various gases, and set up a chain reaction within the core, generating the explosion. The star will vaporize the plant-planet, and the web of consciousness will fold in on itself, the gravity cage will collapse, and the resulting time waves will create the opportunity.”

The commander looked incredulously at his chief scientist. “Cause and effect? Our presence here creates the situation that enables us to be present here?”

“Yes.”

“Then everything is predetermined.”

“Not exactly. Analyzing these readings suggests that if we attack the planet and explode it, the black hole may not happen, and the plant will simply regenerate, starting the cycle over again, until another opportunity presents itself, or the star simply ages enough that it happens anyway.”

The commander scratched a claw across the wall in frustration. “But it is the only plan we have. Diving into the middle of the blue sun won’t make the slightest bit of difference either.”

“We need to figure out what specifically causes the star to go supernova. Then success is assured.”

The commander grunted his assent. “Do what you have to do. I put my life in your hands.”

“Thank you, brother.”

Alternate Dinosauroid welcome (too friendly)

…and down towards the food area. He quickly showed them the food synthesizers that created sustenance for particular physiognomies, and briefly discussed the system with the lead scientist. The scientist tested the food and was first to eat it, then distributed it to the rest.

Hogart noticed that they were all wearing metal collars, with minerals implanted at various points. He asked politely what they were for.

“This is how we protect our minds from the creature. We have been able to harvest these mineral stones that the creature releases. They are spread throughout the entire galaxy and act like linking points for its gravity cage, and conduits for its consciousness. We have been able to reverse their effects so that they reflect rather than absorb.”

The dinosauroid then looked at Hogart, its lizard head turned sideways. “You are not wearing anything like them. How are you not taken over?”

Hogart pointed to his head. “A mindview system installed in my frontal lobe connected to other points in my brain. It is currently broadcasting a frequency wavelength that is disrupting the signal. Unfortunately, many others on my ship do not have this.” Hogart pointed to a chair in the corner where two of his alien crew were unconscious.

The alien dinosaur understood, then scratched a line in the table in front of him. The army around him fell silent.

“It is time, Hogart. We thank you for your sustanence. We are now ready to fight. What is your suggestion?”

 

More as I delete them!

Vriter Notes. Writing Science Fiction for VR TV. Extending the Life Span of your Story.

Vriter Notes. Writing Science Fiction for VR TV. Extending the Life Span of your Story.

One of the things I’ve said to science fiction writers just starting out is that you need a future proof game plan for your stories. You don’t want your stories to date too quickly. If you plan to stay a writer and not move into script editing, you might find these tips useful. If you have any other suggestions as to how to make sure a story doesn’t get dated, besides constantly reediting it, please leave a comment below.

Make your story as disconnected from the present as possible

Generally, if you write it well, it’ll have about a fifty year life span. If you write it with only limited reference to the present, it might even have 100 years. If you use science that has no possibility of being replicated in the near future, you might even get your story to 200 years. Mary Shelley’s Frankenstein, also known as The Modern Prometheus, is 200 years old this year. First published 1st January 1818. And humans still haven’t been able to put together a pseudo human from multiple parts from a variety of bodies, and resurrect it. Though, there is a lot more to this story than just that, but it’s a good example of a story that can withstand the march of time.

Choose your characters’ words carefully

Unfortunately, sometimes, the mere fact of being a certain age will date your writing, purely due to the kinds of words you use. In 2018 what words should characters use to show appreciation? ‘Incredible’ in their 70s, ‘Cool’ or ‘Sick’ in their 50s, ‘Awesome’ or ‘Winning’ in their 30s… But when someone reads that story in 2038 they’re going to feel all the characters sound weird. Cool, huh?! Best avoided. Choose a generic exclamation for your characters so that it becomes background. Battlestar Galactica did this with ‘frak’ , Red Dwarf with ‘smeg’.

Avoid common items from the past

Awhile ago I read a great science fiction story that was written in the 90s. Set hundreds of years in the future, after the Earth had been enslaved by giant space whale like entities, a government representative (?) took a long journey (?) to meet one and while waiting, opened his briefcase (???) After reading that, it took me awhile to get back into it again. A lot more effort was needed to suspend disbelief at that point, but the story got a lot better as it progressed. Most writers struggle with that first chapter and write and rewrite it over and over after writing the rest of the story, so most readers are forgiving. But I thought I’d point it out as, if you happen to include audio cassettes, old music, briefcases, even CDs, in the far future, you’ve already dated it. Best to avoid these things and create new things eg mindview system (instead of audio tapes) space fold storage systems keyed to a thought (instead of briefcases), sounds of the solar winds of Archetan 5 (instead of music) I’m sure you can come up with anything. Basically look at absolutely every item any of your characters use, and make sure none of them have ever existed.

Include aliens, even if it is just a reference

I’ve always loved writing about aliens, and expect that most stories in the future will have them. In the future, when we are working with the millions of alien races in the galaxy, most humans will find any story without an alien in it to be a bit anachronistic, if people are even still reading then. It would be like watching Alien Nation or Buffy and not seeing a mobile phone.

So, I encourage anyone writing science fiction to always include some alien races, even if it is just a reference. You could write a whole story about human habitats if that is your passion, or human-only colonies, without ever having an alien in it, but if you don’t refer to the ‘trade with alien x in the nearby star system’ it’s just going to get dated really quickly once aliens land.

Scientists speculate that we’ll make contact within the next ten years. Some believe we’ll even have an official landing before 2033. Others believe it already happened in the 60s and there is film somewhere to prove it. And even the series Ancient Aliens suggests we’ve always been in contact with them, for at least 500,000 years. Don’t leave out the aliens!

Write (vrite) your scenes with VR TV in mind

If you want to make it easier for a future script writer to discover your story and create an immersive experience from it, think about all your scenes as though there is space in the middle for a constantly moving camera.

I call this ‘vriting.’ (Oh, look, he’s replaced the ‘w’ with a ‘v’ so that the word has VR in it. LOL.)

When you vrite, you should have three things happening in the scene. The camera should be able to be placed in the center of three characters, or two characters and a screen, so that if you were there, with a VR screen, you could turn around and see the characters talking to each other, or turn to see the screen and hear the characters behind you.

As more and more people get immersed in VR, normal writing will seem a bit staid and boring. A character walks down the street? Two characters side by side talking? No, these are less immersive scenes. Not much is going on. New readers will see old stories like this as endless padding. Make sure you have a lot of things going on at once, and you’ll be able to grab the attention of younger readers.

If you’re unsure what I mean, just check out a Marvel movie. The camera rarely stops moving. It is continually tracking moving characters and screens, turning back and forth. Scenes rarely last more than 3 seconds. If you want to write for future generations, take on the vriting style where possible.

There has been a steady decline in reading over the past hundred years, only propped up with the increase in babies being born. Eventually, if we don’t change our writing styles for future generations, readers will continue to disappear. I doubt anyone will be reading books or ebooks in 200 years anyway, so make the most of those remaining upcoming years by writing with VR in mind.